News
Powerhouse has revealed details of Zampatti Powerhouse, the major survey exhibition which will celebrate the life and legacy of the iconic Australian, Carla Zampatti opening 24 November 2022.
The first internationally exclusive retrospective of Carla Zampatti AC, OMRI will present the life and work of the inimitable Italian-born designer, beloved as an Australian fashion icon. The breadth of her extraordinary private, professional and public life will be rendered in exquisite detail, anchored by Zampatti’s signature designs and brought to life with first person reflections on the designer’s clients, family, staff and friends.
Powerhouse has revealed details of Zampatti Powerhouse, the major survey exhibition which will celebrate the life and legacy of the iconic Australian, Carla Zampatti opening 24 November 2022.
The first internationally exclusive retrospective of Carla Zampatti AC, OMRI will present the life and work of the inimitable Italian-born designer, beloved as an Australian fashion icon. The breadth of her extraordinary private, professional and public life will be rendered in exquisite detail, anchored by Zampatti’s signature designs and brought to life with first person reflections on the designer’s clients, family, staff and friends.
Zampatti Powerhouse will encompass 100 designs from over 50 lenders and over five decades of material, surveying a trailblazing career from the establishment of her business in 1965 to her most recent work. Iconic pieces worn by high-profile Australian women in defining life moments include former Prime Minister Julia Gillard’s jacket worn when she addressed US Congress in 2011; the white jacket worn by Christine Holgate when speaking at the Australia Post Inquiry in April 2021; the red pantsuit worn by Linda Burney for her official parliamentary portrait in 2019; Tina Arena’s jumpsuit, personally fitted for her ARIA Hall of Fame induction in 2015; and Allegra Spender’s blue jacket which belonged to her mother, frequently worn while campaigning for the federal seat of Wentworth. Following a public call-out, the exhibition will also present around 30 loaned garments from Zampatti’s rarely seen early design work from the 60s and 70s, alongside the stories of the Australian women who wore them.
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Freedom of Movement: Contemporary Art and Design from the NGV Collection is a new exhibition featuring more than 60 works of contemporary art and design by some of the most recognisable names working today, including Patricia Piccinini, KAWS, nendo, Paola Pivi, Nick Cave, Rafael Lozano-Hemmer, Shilpa Gupta, Alicja Kwade, Daniel Arsham and Alex Prager.
Offering a dynamic survey of the State collection across contemporary furniture, lighting, painting, film, sculpture and installation, the exhibition provides audiences the chance to engage with remarkable contemporary works in new and surprising contexts, as well as to appreciate the spectacular correlations and interrelationships between art and design.
Freedom of Movement: Contemporary Art and Design from the NGV Collection is a new exhibition featuring more than 60 works of contemporary art and design by some of the most recognisable names working today, including Patricia Piccinini, KAWS, nendo, Paola Pivi, Nick Cave, Rafael Lozano-Hemmer, Shilpa Gupta, Alicja Kwade, Daniel Arsham and Alex Prager.
Offering a dynamic survey of the State collection across contemporary furniture, lighting, painting, film, sculpture and installation, the exhibition provides audiences the chance to engage with remarkable contemporary works in new and surprising contexts, as well as to appreciate the spectacular correlations and interrelationships between art and design.
Crossing cultures, disciplines and traditional divides, Freedom of Movement presents a selection of NGV Collection works bound together by ideas of movement – be that physical, technological or geographical. Presented across four thematic ‘movements’, each anchored by a major work, the exhibition invites audiences to contemplate concepts of movement, change, perception and transformation in contemporary life.
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Bundanon has announced its Season 3 program: Siteworks 2022: From a deep valley, opening to the public from 26 November 2022 – 12 March 2023. In Dharawal the word Bundanon means deep valley. With a decade-long history at Bundanon, Siteworks will see the work of over 25 artists and 10 scientific researchers drawing on climate research, critical thinking, First Nations knowledge and technologies and creative digital spaces, throughout a major exhibition and a program of outdoor installations, performances, workshops, and digital artworks.
Bundanon has announced its Season 3 program: Siteworks 2022: From a deep valley, opening to the public from 26 November 2022 – 12 March 2023. In Dharawal the word Bundanon means deep valley. With a decade-long history at Bundanon, Siteworks will see the work of over 25 artists and 10 scientific researchers drawing on climate research, critical thinking, First Nations knowledge and technologies and creative digital spaces, throughout a major exhibition and a program of outdoor installations, performances, workshops, and digital artworks.
Siteworks 2022: From a deep valley will present a major new exhibition in the Art Museum, titled ‘Inside, underground’ exploring the concept of interior weather, as well as a curated series of events across four key weekends over summer that position the artist as a kind of weather balloon, capturing ‘weather reports’ from this place and time. A core element of Siteworks 2022: From a deep valley is Bundanon’s participation in the digital project, the World Weather Network, a ground-breaking new global alliance of artists, writers and communities initiated by the UK-based arts organisation, Artangel.
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The Woollahra Small Sculpture Prize, presented by Woollahra Council, has announced 50 emerging and established artists as finalists for the 21st annual Prize. The 2022 finalist works, by artists hailing from every Australian state and territory as well as international finalists from Auckland, New Zealand and Texas, USA will be presented in an exhibition at Woollahra Gallery at Redleaf, opening on 12 October.
Established in 2001, the Woollahra Small Sculpture Prize is Australia’s pre-eminent award for small sculpture and is the first national acquisitive prize for an original sculpture of up to 80cm in any dimension.
The Woollahra Small Sculpture Prize, presented by Woollahra Council, has announced 50 emerging and established artists as finalists for the 21st annual Prize. The 2022 finalist works, by artists hailing from every Australian state and territory as well as international finalists from Auckland, New Zealand and Texas, USA will be presented in an exhibition at Woollahra Gallery at Redleaf, opening on 12 October.
Established in 2001, the Woollahra Small Sculpture Prize is Australia’s pre-eminent award for small sculpture and is the first national acquisitive prize for an original sculpture of up to 80cm in any dimension.
The 2022 Woollahra Sculpture Prize finalist artists are:
Agus Wijaya, Allan Giddy, Amala Groom, Amelia Lynch, Anastasia Parmson, Antoinette O’Brien, Ara Dolatian, Bianca Hester, Bruce Reynolds, Claudia Terstappen, Edward Waring, Franky Howell, Gaspare Moscone, Gina Ferguson, Guy Fredricks , Jake Preval, Jess Dare, Jessica Murtagh, Kat Shapiro Wood, Kelly Austin, Kenzee Patterson, Kirsteen Pieterse, Lee Harrop, Leonie Rhodes, Lewis Doherty, Louis Grant, Lynda Draper, Mai Nguyen-Long, Mariana Del Castillo, Mark Booth, Michael Cusack, Nabilah Nordin, Nasim Nasr, Nate Ditzler, Nicholas Burridge, Nuha Saad, Peter Burgess, Peter Tilley, Pippin Drysdale, Rebecca Selleck, Ruby Benhar Pattarkadavu, Samantha Hanicar, Sherna Teperson, Shireen Taweel, Simon Fieldhouse, Stephen Ralph, Stephen Benwell, Suzanne Archer, Vipoo Srivilasa and Yanyangkari Butler.
Image: Ara Dolatian, ‘Unearthed’
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Walsh Bay Arts Precinct, Australia’s newest cultural precinct, has today announced its first precinct-wide Open Day with a free public program of events to be presented across the architecturally acclaimed Precinct encompassing the historically significant Pier 2/3 and Wharf 4/5. Presented on Saturday 8 October 2022 from 10am to 4pm, the Walsh Bay Arts Precinct Open Day will offer a series of free one-off experiences, workshops and performances hosted by its resident performing arts companies across the entire precinct.
Walsh Bay Arts Precinct, Australia’s newest cultural precinct, has today announced its first precinct-wide Open Day with a free public program of events to be presented across the architecturally acclaimed Precinct encompassing the historically significant Pier 2/3 and Wharf 4/5. Presented on Saturday 8 October 2022 from 10am to 4pm, the Walsh Bay Arts Precinct Open Day will offer a series of free one-off experiences, workshops and performances hosted by its resident performing arts companies across the entire precinct.
Located on the foreshore of Sydney Harbour, the revitalised heritage Walsh Bay Arts Precinct will open its doors to the
public in a one-day program set to highlight the dynamic cultural offerings and world-class facilities of its resident
companies including the Australian Chamber Orchestra, Australian Theatre for Young People, Bangarra Dance Theatre,
Bell Shakespeare, Gondwana Choirs, Sydney Dance Company, Sydney Theatre Company and Sydney Philharmonia
Choirs.
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Bell Shakespeare has announced its 2023 season, with three new productions touring throughout the country. To mark 2023 as the 400th anniversary of Shakespeare’s First Folio, the company will stage new contemporary retellings of plays from the Folio, Macbeth and Twelfth Night, the latter featuring all new music by Sarah Blasko. The company will also stage a raw and intimate performance of Romeo and Juliet in the company’s new theatre The Neilson Nutshell and at the Fairfax Studio at Arts Centre Melbourne.
Bell Shakespeare has announced its 2023 season, with three new productions touring throughout the country. To mark 2023 as the 400th anniversary of Shakespeare’s First Folio, the company will stage new contemporary retellings of plays from the Folio, Macbeth and Twelfth Night, the latter featuring all new music by Sarah Blasko. The company will also stage a raw and intimate performance of Romeo and Juliet in the company’s new theatre The Neilson Nutshell and at the Fairfax Studio at Arts Centre Melbourne.
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Sydney Contemporary, Australasia’s premier art fair, in partnership with MA Financial Group, opens to the public with an expansive program of art, performance, talks, food and drink, featuring the work of more than 450 artists and over 90 galleries. Presented at multi-arts precinct Carriageworks from 8-11 September, this marks the first physical edition of the Fair since 2019 and its strongest to date. Sydney Contemporary is proudly supported by the NSW Government through its tourism and major events agency Destination NSW.
Sydney Contemporary, Australasia’s premier art fair, in partnership with MA Financial Group, opens to the public with an expansive program of art, performance, talks, food and drink, featuring the work of more than 450 artists and over 90 galleries. Presented at multi-arts precinct Carriageworks from 8-11 September, this marks the first physical edition of the Fair since 2019 and its strongest to date. Sydney Contemporary is proudly supported by the NSW Government through its tourism and major events agency Destination NSW.
The Fair program for Sydney Contemporary 2022 caters for serious collectors and the art loving public alike, presenting engaging activities alongside the extensive artworks on show, with curated AMPLIFY, Performance Contemporary, Kid Contemporary and Talk Contemporary programs that all run concurrently throughout the Fair. The Fair is also home to restaurants, cafes and bespoke bars making it an all-encompassing art and dining experience. Billed as one of the most celebrated events on Australia’s cultural calendar, Sydney Contemporary has firmly established itself as a must-attend art event and the perfect place to discover and collect modern and contemporary art.
Photography by James Horan; Michael Staniak, FXB_004 (cave C++) 2022, aluminium, canvas, PVC, acrylic and wood, 400 x 250 x 400 cm.
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